Last week, after I did this bird drawing, I thought
"She reminds me of someone".
Yesterday Vermeer's "Girl with Pearl Earring" came to mind-- the similarity being the long shape on the right, as well as the positioning of the subject in the frame. The gazes and facial expressions are completely different.
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I've been thinking a lot about how our brains respond to shapes and pattern, as opposed to reading emotions and facial recognition. Both are basic survival skills-- shapes and movement for identifying predators or prey, and facial expressions for detecting potential threats or aggression.
John Gould: Blue Pitta. Early 19th c.
The bird prints, for me, evoke both responses. I have a strong visceral reaction to the shapes, colors, and high-contrast patterns; at the same time, I'm projecting myself into the emotional life of the creature, what is it thinking, how is it feeling. It's the simultaneity of these responses, the sense that I am suspended between two primitive, but very different reactive states, that engages me and gives me a great deal of pleasure as well.
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