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I started stitching and attaching things. I couldn't stop.
It turned into a something of a cross between a city plan and a barnacle.
An onyx turtle, a souvenir from a childhood trip to Mexico in the late sixties.
Objects in the pie safe in my studio that I drew on fabric-- 1930's Mull Soy baby formula tin and teacups, among other things.
I was thinking of Piero della Francesca's "Madonna of the Egg".
Hans Holbein portrait of Martin Luther on a 1983 commemorative stamp.
Old buttons, an old penny, old string, and cow bone fragments.
Fossils from my sister's childhood collection. She's a geologist, so that passion stuck.
A grouping of grey buttons. I was thinking about both a grove of trees and lukasas, the African memory boards.
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The buttons and shells help you remember what's important.
A 1970's newspaper ad for a leisure suit began to fall off almost as soon as I sewed it on, so I covered it with a button. It was made in Holland, has been in Texas the past 50+ years and is now in NYC. I like that.
Seeds.
and thinking of Latin American Madonnas.
Orange silk from the hat I made last year for my friend.
She chose the fabric for the hat. I'm quite sure she recognizes it.
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Always moving back and forth between the conceptual and the real, the tangible and intangible.
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