Friday, February 20, 2015
Monday, February 9, 2015
"When the soul wants to experience something, she throws out an image in front of her and steps into it."- Meister Eckhart (1260-1328)
Gunta Stolzl wallhanging "Geturmt" 1973
Sonia Delaunay scarf and a note card from a friend
Sophie Taeuber Arp weaving "Elementary Forms" 1917
View from my studio
Tuesday, January 20, 2015
Pants pillow
Pillow made from 1960's? cotton corduroy pants that belonged to my brother-in-law's grandfather, 1920's (or earlier) wool tapestry , 1960's cotton curtain fabric, assorted silk, linen, and cotton scraps, a vintage tape measure, and catfish line (a nod to the time his grandfather spent in the Louisiana bayous.)
construction project
interior of pillow front showing applique stitching on old sheet, and white cotton pants pockets at bottom
.. plaid lining of the pillow back... I resorted to hand-stitching in places at the side seams where my machine couldn't sew over the thick pocket-seams in the pants. One aspect of working with a garment-- something I've been wanting to try-- is working around bulky seams. Using the pants was an opportunity for me to do that and to make something for my brother-in-law and sister that has personal meaning, but the process was cumbersome, so I think I'll call this experiment a one-off.
no-label pants
The corduroys used in the pillow were one among several "no-label" pairs of pants, including these chinos, which appear to be professionally made. The quality of construction details, while beyond amateur sewing, is nowhere near the finish level of fine tailoring. A guess is that his grandfather regularly ordered up sturdy and serviceable pants from his tailor and said "make it fast".
thinking of...
Peruvian artist Jorge Eielson who made art with old clothes-- this is Camicia 1964-- came to mind.
Also the Gee's Bend work-clothes quilts, like this one by Lutisha Pettway The dark spots indicate pockets that were removed prior to sewing, possibly to avoid sewing over bulky seams?
post-notes
Tuesday, January 6, 2015
New, old, ancient
Color
I think the oldest fabric in the group is this red woven wool which was in a box with some other upholstery scraps and a receipt dated September 1926. The color and weave brought to mind ancient South American textiles....
......like the one I sketched when I visited the "Wari: Lords of the Andes" exhibition at the Kimbell Art Museum in Aug 2013.
Referencing the photo in the exhibition catalog, I pulled together the other fabrics to complete the color palette.
Composition
the main idea was to showcase the pattern and weave of the red wool.
thinking of a color-blocked composition like Hans Hofmann 's painting "Elysium"
Texture
The blue wool plaid reminded me of Japanese boro textiles , like this jacket
and since I wanted to use up some scraps that were already in strips, I sewed them, along with other darker cotton scraps onto an old bed sheet.
Then I cut that textile into strips...
and sewed those strips in layers to make a textile. The white sheet pops through in places and accentuates lines and texture.
the scrap of digital print silk was added just before I sewed the pillow together.
Pattern
Here, the right and wrong side of the curtain fabric are sewn together to make a new pattern. The matrix of raised, stitched lines is the result of sewing with a double needle. The curtain fabric is old and tears easily in places; sewing it onto a lining not only reinforces it, but creates another texture, a map-like effect, which I really like.
Label
Rotations
Tuesday, December 23, 2014
Rock pillow and beyond
green woven cotton 1960's curtain, light blue 1960's cotton canvas shower curtain. Other fabrics include tea-dyed burlap, Italian linen, and silk.
The yellow burlap and orange silk edge strips are trimmed from the Istanbul textile
trimming the pillow front:
and playing with the edgestrips
-- the leftovers from one project generate ideas for the next:
rotations
post-note
Usually Tillycat joins my photo-shoots, but today she took refuge from the cold wind in a plant container.
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