Sunday, November 13, 2016

Iceland Goes Through: the art of conversation


Iceland Goes Through
- 1950s woven cotton upholstery, 60s gingham dress, 60s curtains, 
80s paisley upholstery


... one of several textiles I've laid out during phone conversations with friends.  In these works, the present moment is considered as much a material as the fabric; there is a natural interweaving of dialogues--internal and external, fabrics and friendship. During this particular conversation, a friend who is an avid soccer fan was telling me about the rise of Iceland, the Cinderella team in the Euro 2016 tournament.  As she recounted each win, she would say 

"...and so, Iceland goes through."  












Sunday, August 21, 2016

Hat Brim/Peine del Viento







































Hat Brim/Peine del Viento
- 1990s black velvet hat brim and various scraps, 1920s-present



































      

Point of departure-- a hat brim I cut out in the nineties for a project never completed.








...thinking of Eduardo Chillida's sculpture, Peine del Viento (Comb of the Wind).



























Seaside painting by Nicolas de Stael

                                                                                                                                                     

Monday, July 18, 2016

The Red Shirt





































             



The Red Shirt
-1970s cotton shirt, 2000s Gap chinos, various scraps on burlap

































The old barn behind our house.




Lapstrake, Ticking, and Rachel Carey George/Gee's Bend quilt



























                                   



Lapstrake
- Gap jeans c.2000, early 20th c velvet, 1970s velour pants, silk, wool, cheesecloth, burlap



















                                                                                                                                                                 














Ticking
- early 20th c mattress ticking, wood toothpicks, cotton string, tea-dyed burlap


















                                         








Ticking removed from cotton boll stuffed mattress.



























Gee's Bend/ Rachel Carey George quilt

The use of old clothing and household items in my work is directly inspired by the Gee's Bend quilt makers, a group of African American women living in close-knit geographically isolated communities of Alabama.  Their work, originally made of whatever salvageable materials were available, represents an important cultural and visual contribution to the history of 20th c African American art.  In need of warmth, and with no time to fuss over intricate patterns and piecework, the Gee's Bend artists created a non-traditional aesthetic vision which incorporates the idiosyncrasies and past lives of recycled goods.  In this quilt by Rachel Carey George (1909-2011)--made of wool trousers, jeans, and mattress ticking--the faded ghost prints of pockets become compositional elements in the overall design.



































Sunday, March 20, 2016

Tidepool








































Tidepool
-1970s disco jacket, 70s polyester mens pants, 70s velour womens pants, 60s dress

                                         








































































Clyfford Still painting: "PH-241", 1949
which I saw recently at the MFAH.
Photo credit: Clyfford Still Museum Denver via MFAH website 




























Other scraps include my grandmother's 1960's dress and my mother's 1970's cotton velour pants



Friday, March 11, 2016

Materials and memory


Bird's nest pillow cover made with assorted scraps






























Oriented strand board






Apartment courtyard, Milan,1983


....looking at my work through the lens of my architectural experiences,
in the use of materials, and the memories of places I've lived.