Saturday, May 20, 2017

Eucalyptus



Eucalyptus
-1960s wool coat and satin lining, 40s party dress with tulle trim, hand-embroidered tea-dyed burlap,
80s bed sheet, cargo pants seams











































Eucalyptus bark at a friend's house, Woodland Hills, CA.  As soon as I saw the
tree, I knew I would make a textile and exactly which fabrics I would use.
                                             










































 

My mother's 1960s wool coat, transitioning from garment to art.
I love the two-tone coral/gray, shiny/matte satin lining.  Construction
details-- inseams, hems, edges cut with pinking shears-- are kept intact
and used as-is in the textile.                                                                                                                                                                                                                                

































































































Saturday, February 18, 2017

No Donkey, No Blindfold- inspired by Utamaro geishas and Kuniyoshi samurai




No Donkey, No Blindfold 
Vintage fabrics include 1930s matelasse bedspread, 1960s floral print cotton, 1960s curtains, 1970s corduroy Levi's, tape measure, zipper








The contrasting floral prints and sharp black slashes in these works by Utamaro and Kunioshi inspired this textile.  






























Sunday, November 13, 2016

Iceland Goes Through: the art of conversation


Iceland Goes Through
-Fabric scraps include 1950s woven cotton upholstery, 60s gingham dress, 60s curtains, 
80s paisley upholstery


... one of several textiles I've laid out during phone conversations with friends.  In these works, the present moment is considered as much a material as the fabric; there is a natural interweaving of dialogues--internal and external, fabrics and friendship. 

During this particular conversation, a friend who is an avid soccer fan was telling me about the rise of Iceland, the Cinderella team in the Euro 2016 tournament.  As she recounted each win, she would say 

"...and so, Iceland goes through."  












Sunday, August 21, 2016

Hat Brim/Peine del Viento






































        28" x 28" textile made of 1990s black velvet hat brim and various scraps, 1920s-present



































      
Point of departure-- a hat brim I cut out in the nineties for a project never completed.








...thinking of Eduardo Chillada's sculpture, Peine del Viento (Comb of the Wind).



























Seaside painting by Nicolas de Stael

                                                                                                                                                     

Monday, July 18, 2016

The Red Shirt





































             



1970's cotton shirt, 2000s Gap chinos, various scraps on burlap




















The old barn behind our house.

Lapstrake, Ticking, and Rachel Carey George/Gee's Bend quilt



























                                      Lapstrake
- Gap jeans c.2000, early 20th c velvet, 1970s velour pants, silk, wool, cheesecloth, burlap

















                                                                                                                                                                 
Ticking
- early 20th c mattress ticking, wood toothpicks, cotton string, tea-dyed burlap


















                                                              Ticking removed from cotton boll stuffed mattress.





Gee's Bend/ Rachel Carey George quilt

The use of old clothing and household items in my work is directly inspired by the Gee's Bend quilt makers, a group of African American women living in close-knit geographically isolated communities of Alabama.  Their work, originally made of whatever salvageable materials were available, represents an important cultural and visual contribution to the history of 20th c African American art.  In need of warmth, and with no time to fuss over intricate patterns and piecework, the Gee's Bend artists created a non-traditional aesthetic vision which incorporates the idiosyncrasies and past lives of recycled goods.  In this quilt by Rachel Carey George (1909-2011)--made of wool trousers, jeans, and mattress ticking--the faded ghost prints of pockets become compositional elements in the overall design.



Sunday, March 20, 2016

Tidepool









































                                         


















1970's disco jacket


























Clyfford Still painting:
PH-241, 1949  which I saw recently at the MFAH.
Photo credit: Clyfford Still Museum Denver via MFAH website 




























Other scraps include my grandmother's 1960's dress and my mother's 1970's cotton velour pants


Friday, March 11, 2016

Materials and memory


Bird's nest pillow cover made with assorted scraps






























Oriented strand board






Apartment courtyard, Milan,1983


....looking at my work through the lens of my architectural experiences,
in the use of materials, and the memories of places I've lived.

Wednesday, October 7, 2015

"Blue" -- 1970's velour pants, silk scraps, and tea-dyed burlap
































































































































































































Wall hanging made from Clara's (aka Mom's) 1970's cotton velour pants, silk scraps, tea-dyed burlap, and various threads. Inscription labels on back made from 1960's cotton curtain lining. 




























               
                                       
















For my friend Julie Cohn  who designs and makes beautiful jewelry































and loves....